Weird on Top: Lynch and His Precursors
“The world is weird on top and wild at heart” In an essay titled Kafka and His Precursors Borges argues that what is termed Kafkaesque has always existed, “but if Kafka had not written, we would not perceive it; that is to say, it would not exist.” The same should be said of David Lynch; there are unique and singular experiences in this world that, were it not for him would have otherwise gone unnamed; when a stranger mistakes you for a friend, or the sound of a record skipping, the eerie feeling of absolutely nothing being out of place, the feeling of pulling back a curtain and not knowing what you would find; this is what we can now call Lynchian. If we follow Borges' argument then “each writer creates his precursors. His work modifies our conception of the past, as it will modify the future.” So it is not just that a precursor is an influence, but something that is read in an entirely different way. Roy Orbison is Lynchian and so is Bobby Vinton, but also Beach House, ...